Daniel Birnbaum bet on VR when he left a prestigious museum to join a start-up. Is he a savvy pioneer or an evangelist for dead-end technology?
From Bushwick to Harlem, with many stops in between, our art critics take stock of the best shows this spring.
They are fearless, and their works are among the season’s exciting shows. Drawing on memories and research, they propose new ways to live with our histories.
Putting personal dramas behind him, the artist opens his first New York show in five years (at a new gallery).
François Pinault, one of France’s richest men, is investing nearly $170 million in the Bourse de Commerce. Works from his own collection are set to go on display starting in 2020.
Amanda Williams and Olalekan Jeyifous re-evaluate what a public memorial can be.
For those muscled out of studios across the city, ArtBuilt offers long leases, below-market rents and the mayor’s welcome.
High above Manhattan, Alicja Kwade’s planetary sculpture captures the music of the spheres.
Architects and designers are discovering the many benefits of building with cork, a material long associated with the wine industry.
Our guide to new art shows and some that will be closing soon.